First, today, there was the madness and the dissonance, sharp as thorns. Early morning in the Jordan Valley: still cool. We step out into the light. In the distance, the soft, convex mauve of the hills. Closer to us, they turn beige, then white, billowing like waves. Closer still, it’s all yellow and brown and thick with jagged pebbles. About two hundred yards away, scattered over the slope, are black and white goats and disheveled sheep. I recognize one of them, from long-standing acquaintance; her fleece has been dyed a spotty red. There’s a donkey, too, down in the wadi. Two young shepherds—Ahmad, whom I know well, and Mhammad. This hill and the wadi are also, by now, old friends. Continue reading
She looks like a young girl from a distance, her uncovered braid floating back and forth as she sweeps, hoists broken doors, and repeatedly crosses the wide expanse with a bucket to fetch water from a cistern. But when she pauses in her chores to interact briskly and anxiously with the men and boys, I see that her face is old. I wish I could show this narrow, taut face and its look of experience and concern, but photographs of girls and all but the oldest women are banned. Yet I know I am looking at the worry of a grown woman, of a mother for her children; it is not the face of a frightened child. In spite of the uncovered hair I still wonder if somehow I could be seeing the face of a woman who failed to grow. She is off again, so I settle on the expression “diminutive person” for now. Continue reading
March 24, Umm al-Amad
It’s cold. It’s raining. Aziza serves us hot tea. Continue reading
Gavriel is the one running, the one with the flowing hair. He looks like he might be at home in a coffee shop with a guitar on his knee, passing a joint. I remember Gavriels like him from my adolescence, non-violent activists who sang of peace. As we shall see, I believe even this Gavriel may see himself as a messenger of peace.
Apologies: The remainder of this post is temporarily removed. I hope to republish it soon.
A compound in Susya, 2015. Photograph: Margaret Olin
The hardest part was not the settlers’ attack but sitting in the home of Abu Saddam in Susya. His home—four canvas-roofed tents, an outhouse, a water tank, and a perennial lemon tree—is one of the seven scheduled for immediate demolition, with the blessing of the Supreme Court. The others belong to the Nawaja families. First in line, in the center of the village, is the compound of ‘Azzam Yusuf Jad‘a Nawaja. Almond trees are in full bloom in Susya, intermittent bursts of white amidst thin traces of green and great splashes of brown. They’re waiting for the bulldozers to arrive. It could happen any time. Continue reading
Umm al-Amad, July, 2017. photograph: Margaret Olin
He’s young, the lieutenant; the faint trace of a mustache tells all. Awkward, inexperienced, unsure. More than a boy, hardly a man. He speaks fast, the words clipped, sharp, hurtful. He keeps playing with his rifle, waving it, aiming it, caressing it, turning it upside down, comforting it when it somehow rights itself again. The bullet clip is loaded; I can’t see if the safety catch is released. I don’t like any of this, for two reasons. First, I don’t like guns. I had to carry one, when I was a little older than the lieutenant, and I hated it. Second, I don’t like men who like guns. Continue reading
Most photographs here were taken by Margaret Olin in Al-Auja in late July, 2017.
Dotting the slopes on either side of Wadi Auja are the widely scattered houses of Al-Auja. In most cases only three or four Bedouin families live in each such tiny point, some to the west, climbing the steep hill less than halfway up to the ridge that overlooks the Jordan Valley, others, like the homes of our shepherd friends today, further east, near the road to Jericho. Continue reading
It’s her first time, and it’s an easy start, but it must still be confusing to watch people demolish your home, even if those people are your father, Mahmoud Zouba, Continue reading
Photograph: Sophie Rose Schor
June 21, Susya
First day of summer in Susya: a lively wind and the good smells of wild sage and goats and dogs and sun-baked stones. We are there to celebrate the release of Kingdom of Olives and Ash—the anthology of essays by well-known writers from around the world who were brought to the occupied territories by Breaking the Silence to signal the dismal fiftieth anniversary of the Occupation. They wrote what they saw; it isn’t pretty. Continue reading