Susiya, 2016. Photograph: Margaret Olin
So there is the Big Destruction, the one everyone in Susya and in al-Khan al-Ahmar knows will happen, the one everyone fears, and there are the Little Destructions along the way, the tremors that presage what is to come, as if the army were testing the water. ‘Azzam Nawajeh, whose home is on the demolition list, says he wishes they would do the big one already; waiting day after day, for many months, in the certainty that they will come, is torture enough. This morning we thought it was happening, but in the end what we saw were two Little Destructions. They were awful.
You who are reading these words probably know about Susya and al-Khan al-Ahmar. You know that for years the government has been eager to wipe out both villages. Over the years, we were able, again and again, to save Susya. Now times are worse. The Israel High Court of Justice approved the immediate demolition of seven structures in Susya and of everything in al-Khan al-Ahmar. That includes the beautiful school that I wrote about in my last dispatch. This week the brutal drama of al-Khan al-Ahmar began. But last night and today I was in Susya, and I will tell you what I saw.
Compound in Susiya, June, 2015. Photograph: Margaret Olin
You may know about these places, but how many of you have spent an evening with a family whose home will be killed tomorrow or the next day? It’s a special mode of time, unlike any other. You wait in bitterness and terror. Maybe in the morning they will come. But why? Again and again, that terrible why. ‘Azzam is a soft-spoken man, born in Susya in 1961; he is eloquent in Arabic and in Hebrew, and here is what he said to us last night as we stood by the tent under the stars that, by the way, you can see better from Susya than in any modern city. A meteor flashed across the sky, and there was a cool wind blowing, and the air was scented with sage and dust and narghileh smoke and good goat-and-lamb smells, and something more, infinitely savory, that I can’t define.
First we asked him how he came to speak such perfect Hebrew, and he said: “I was a tahzukan, a maintenance person, for all the big petrol companies in Israel; I worked with them for over twenty years. I’m also a trained electrical engineer with a diploma from a college in Hebron. In those days people in this country still respected one another, and we worked together. I worked for a company where everyone was Palestinian except for the manager; people used to ask him why he employed only Arabs, and he would say that he liked it that way. There are good people and there are bad people everywhere. Today the bad people have power.
Compound in Susiya, May, 2018. Photograph: Margaret Olin
“I don’t understand them. Where is their humanity? Some basic human feeling. What happened to their Judaism? I’m ashamed of them for your sake. They want to demolish my house because, they say, it was built without a permit. True. But they took away my first home, the cave I was born in, over there [pointing to the archaeological site of Susya with its second-temple-period synagogue], they wrecked it, and then they drove us out. So who is the criminal here? I live on these rock slabs together with the snakes. I paved the entrance way with concrete. Maybe because there is now a flat surface in front of my house they decided they have to wreck it.
Susiya, March, 2016. Photograph: Margaret Olin
“I wonder if they can even imagine what life is like here. Have they ever had to live for a whole month without water, have they ever gone begging, for hours, for a glass of water from someone, anyone, out there on the hills? What do they think we want? I can tell you. We want a normal life. A decent home. The settlers over there have stone villas, we live in these tents, which they are coming to destroy.
“We love life. We love living. But how can we live like this? They can attack us and destroy our homes, but we will never leave this place. Never. We have lived on these hills for centuries. It’s burning hot in summer, and in winter the rain and the wind sometimes blow away the tents, you know what it’s like here in winter; once the wind lifted us several feet into the air, and we landed on the rocks and mud, without a roof.
“They think only brute force counts—that they can coerce us, terrify us, make us go away. Can’t they see that force produces nothing but hatred? More hate, ever more hate. It will blow up in their faces. Le’an higa‘nu—look where we are today. How did we sink so low?”
There was more that I don’t remember, much more. What I remember is the pain, and that strange time-that-is-no-time, or no more time, like a person waiting to be executed, let no one say that a home is not a living being. One waits, and time is too slow and too fast; it has fragility and thickness, its rhythm uneven, out of synch, it fingers your skin and your hair, mocking you, tormenting you. It drives you mad. No-Time, No-Mind, continuous grief. Will I sleep tonight?
We sit with the men and boys of Susya and with the visitors from Twaneh. Some are smoking narghilehs. They talk about what is happening in al-Khan al-Ahmar. Today there were many arrests and dozens of wounded. The soldiers acted like savages. The bulldozers plowed a path from the highway to the tents, to make the expulsion easier. The police tried to persuade the people there that they would be better off if they went peacefully, without protest, into the vehicles that are to dump them, literally, on the Jerusalem dump in Abu Dis.
Photograph: Awdah al-Halthalean
Before midnight we retire. They have made room for us in a small structure cluttered with mattresses and pillows. Outside, the young men are still talking; some finally fall asleep in the cool night air wherever they find a cozy spot. A strange elation—possibly of being in the right place at the right time, or maybe because it feels real—keeps me awake. Time is moving through me. At some point, maybe around 4:00, I wake from a dream to hear the muezzins in Yata. They are singing some haunting, low-pitched melody, the music of the spheres, and all the sorrow of the world and all the goodness are in it. In the dream I see the Dalai Lama and I hear him say, “Buddhism is about one thing, only one. It’s about seeing things as they really are.”
Photograph: David Shulman
By 6:00 the dogs, the roosters, and the goats are wide awake. Sunrise. Like on any day. The air still cool. We play a kind of soccer with Ahmad and Hamedi, and breakfast comes: the rough pita, omelets, tomato, olive oil and zaatar, tamarind, the sweet South Hebron tea. There were no soldiers invading us at daybreak, their favorite moment, ergo, there will be no demolitions here today. Maybe the army has been deterred by the uproar over al-Khan al-Ahmar. Or maybe not. Anyway, it’s quiet here, an inaudible pastorale.
Photograph: David Shulman
Yigal and I are about to leave for Jerusalem, but first we go to say goodbye to Muhammad Abu-Sadam, whose entire compound is also on the list of immediate targets. We climb the hill to his home. A goat, looking lame and weak, has somehow stumbled out among the rocks. Muhammad cradles him in his arms.
photograph courtesy of Erella Dunayevsky/the Villages Group
Just as we arrive, we get a call: soldiers with demolition equipment have been sighted on their way to Susya.
So it’s today, after all. We rush with Nasser to the main road. Five or six army vehicles, a transport truck with bulldozer and crane, some police cars. Suddenly the hills are crawling with soldiers and big guns. Their commander thinks he is god. He speaks, or rather barks, roars, growls, sneers, only in threats. Sometimes he yells. He pokes and pushes us. This is a closed military zone. Get over there or I will arrest you right now. Don’t set foot on the road. Stay over there or you’ll regret it. Don’t ask me questions. I told you not to stand on the road. You’re asking for it. Get away. You’re not allowed to photograph. (He seizes Nasser’s cell phone and slips it into his back pocket.) Only from a distance. I’ll show you where you can stand. You see that hill over there. Photograph from there. I won’t show you the order or the map. You can call the Matak, the guy from the Civil Administration, he’ll tell you… But actually the Matak is there beside him, and he refuses to say a word. He, too, glares at us, a superior being, assured of his eternal prowess. The stench of machismo, vintage army issue, is everywhere. We try to argue, we call the lawyers, the officer refuses to speak with them, he doesn’t give a damn, no map, no photographs, just shut up and stand there or you’ll see what I do to you. He’s a coward, no mistaking it. Is he a human being? I guess so. Does he have a conscience? I don’t know. It’s like staring straight into the hideous face of the Occupation. It’s like seeing things the way they really are.
Photograph: David Shulman
It’s not clear if they’re here for the Big Destruction or not. Meanwhile, the bulldozer goes into action. The home of the family to the north of the main road is demolished. We’re not allowed to see this up close, of course, and there’s no photographic record. The soldiers are rightly afraid of photographs. Later, we see the heap that is what remains when you knock down a home.
All this takes time. The women are chanting the Susya song that I have heard many times. One, two, three, four, Susya forevermore. The children keep getting chased off the road. By now it’s hot. We wait. What comes next? Then, surprise, the army cars turn around, the transport truck groans into movement, and they go away. Susya has survived, with losses, one more day.
Mufagara, 2018 Photograph: Guy Butavia
Where have they gone to? Are they really gone, or will they be back any minute? We get into Yigal’s car and madly chase after them. Some of them have, as expected, gone to park themselves for the moment inside the Israeli settlement of Susya, where they belong. But after a while we find them at the entrance to the hamlet of Mufagara, maybe three kilometers away. Soldiers are standing in a ragged line across the road, blocking any access. Guess what? It’s another closed military zone. Can we see the order and the map? No. Just imagine in your mind a line that starts here and ends there. You can’t cross that line. If you try to……
Photograph: Guy Butavia
Mufagara is no stranger to demolitions. Two years ago, the soldiers even tore down its mosque, which no doubt counts as a crime under international law. But then everything the army does here is a crime. The bulldozer crawls down the slope toward an unfinished contraption of long iron bars; it bites into the bars as we watch. They collapse. Now the bulldozer and the soldiers collect them and transfer them to the army truck. Young Palestinians, angry, sun-broiled, push forward against the soldiers, who have lost patience and are on the point of violence; an older Palestinian man calls out to the young ones, “Intu aghla min al-hadid: you are more precious than iron.” Those metal rods, by the way, cost a small fortune if you’re a Palestinian shepherd living with your sheep and goats in Mufagara.
Photograph: Guy Butavia
In the white-hot meltdown of midday, the always astonishing intimacy of enemies comes to the fore. A Palestinian says, in Hebrew, to one of the border policemen: “You’re garbage.” The soldier, insulted, says, “I’m going to arrest you for insulting a policeman.” He lunges at the Palestinian, who evades him. Then we get an explication de texte. “You didn’t hear me right,” says the Palestinian. “What I said is, ‘All of you are garbage, and that includes Netanyahu too.’” “Oh,” says the policeman. “In that case—it’s OK.”
Mufagara, 2012. Photograph: Amir Bitan
I don’t know how long today’s trail of devastation, of Little Destruction, stretches. It’s pretty clear that Susya is safe, if that’s the word, for the next few hours. We can go back to Jerusalem. Time-that-is-no-time resumes its choppy flow. Maybe tonight, maybe tomorrow, they will come again. In 1453 the Jews were expelled for the last time from Erfurt. Long before that, in 1290, from England. In 1492 from Spain. Actually, it’s a really long list. We know just how it feels to lose your home.
Mufagara, 2018. Photograph: David Shulman
text: @ David Shulman, 2018. photographs @ by photographers, as identified.
Susiya, 2015. Photograph: Margaret Olin