December 18, 2020 Al-‘Auja and Taybeh: David Shulman, text and most photographs

Nu’ema, 2018. Photograph: Margaret Olin

Abu Isma‘il promises me that if I come every day, he’ll teach me the language of the sheep. In time, I could become fluent. It’s an offer that’s hard to resist. Those throaty clucks and clicks and lengthy grunts and warbles—to my ears, it’s like some rustic dialect of Italian.

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November 6, 2020. Harat Makhul. Humsa al-Foqa. Text by David Shulman

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photograph: David Shulman, 2020

 The rains have come in force, the hills are muddy, and there is food for the goats and sheep. Over morning tea in Makhul we get the weekly litany of hurts. Walid—still a boy—was out alone with the herd, and settlers came and beat him. It’s really dangerous to be alone on the hills. A large posse of settlers attacked Qadri and several others; there were two broken legs.  A few days earlier, settlers killed Qadri’s uncle’s cow.

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August 26, 2020 Al-‘Auja

Photograph: Margaret Olin, 2017

The count is stark and simple. Last week the ‘Auja shepherds went out to graze their flocks six times. Five of those times our activists were there to accompany them and protect them, and the grazing went well, more or less. On Monday we couldn’t be there, so they didn’t go out at all. It’s a scary business. Settlers and soldiers lie in wait. On Saturday, they took the sheep out, and soldiers drove them away.

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Reflections of a demonstration: the woman’s march, 2017, New York City

I am trying to make the best out of an unwelcome break from the Palestinian territories with a few modest digressions. This one, from January, 2017, could also have been titled “the lonely demonstration.” I prepared it in a more innocent time, but never posted it until a thread on crowd photography, on the FlakPhoto Network, inspired me to take it out of mothballs. The third to last image is the cover of a book due out next week, Photography and Imagination, which I co-edited with Amos Morris-Reich.

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