Ezra Nawi, Ta’ayush, and 30 seconds of video

Ezra

Ezra Nawi, May 31, 2014

“Just as they film, so we film as well”

How powerful is a photographic medium? In Israel, thirty seconds of it is enough to arrest a man and keep him incommunicado for days without access to his lawyer. Enough to prompt from the Prime Minister a vicious condemnation of those who would hide behind the hypocrisy of “caring for human rights,” and, from the Defense Minister and the Education Minister, even more extreme attacks against human rights organizations. At best, there are calls for the “moral left” to repudiate the man who is under arrest, to condemn him without a trial, as well as “to thank the two journalists for their courageous, professional work.” You can read this piece by Ari Shavit here. The officials posted their remarks on their respective Facebook pages. Continue reading

Photographic Aggression, Trust, Shame: Susiya, Sheikh Jarrah, June 5, 26, 2015

20150626-IMG_6883lvlcrvYou won’t see the touching photograph I took at a memorial wall in New York after September 11, 2001, when a woman’s smile gave way to tears as my shutter clicked. It amounted to inadvertent aggression. Some regard all “street photography” categorically as aggressive and unethical. But I think photographic aggression needs to be judged on a case-by-case basis, even when that can be difficult. Such moments arise frequently during and between my intermittent visits to Palestine this past year, where I have been thinking about and documenting photographic practices while engaging in them. As a foreigner I learn local customs slowly. In my effort to do no harm, I navigate photography’s interrelations and worry about breaking photographic taboos. Continue reading

March 14, 2015: Zanuta and Rahwah. David Shulman (text), and Margaret Olin (photography)

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Four happy months in India, and today I’m back in south Hebron. Before leaving I asked my friends to finish off the Occupation before I returned, but somehow they haven’t managed this. Yesterday I meet my neighbor Rama in the street, and she asks how it is to be home. It’s good, I say, at first I was even high, but little by little despair seeps in. “That’s right,” she says, “here everything is really fine except for the despair.” Continue reading

Photographs in Gaza 2: “I don’t really know what I am doing here.” Eduardo Soteras Jalil

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“Eso: una esperanza.” Just a hope. At the Kamal Aduan Hospital, Jabalya, while injured people and bodies arrived after the attack at the UNRWA School in Jabalya. Gaza, 30/07/14 Photograph: Eduardo Soteras Jalil

Some of the people I respect most in Israel and Palestine have been writing posts with the word “hope” in the title and gloom in the content.  The “hope” of this picture’s title refers to the dashed one reflected in a message on a tee-shirt, but the photograph says more. Here hope looks like worry.  The photograph is not an iconic image; it will not change the world or last for the ages. Continue reading