Photographs tend to personalize, not to visualize, as is the nature of microcosms. It is hard to avoid the temptation to focus a camera on the lone child standing beside one ruined house rather than on the systematic character of land appropriation as seen in borders and structures and other visual signs that articulate land through materials and shapes.
On this day the microcosm is a micro victory: The members of a Palestinian family were too afraid for years to enter their land next to the Israeli settlement Metzad (Asfar). But they realized that visual signs of neglect on the land could eventually lead to a declaration of abandonment followed by confiscation. They decided to risk returning. Continue reading