“I’m a soldier in the army of peace.” Thus Yehonatan, as night falls in the madafeh of Ras al-‘Ain. The mystery has been solved: he is the ultra-religious Haredi young man who has become a familiar activist in the Jordan Valley and elsewhere. In fact, he seems to be almost everywhere. He was wounded by a settler at an olive harvest at Battir, near Jerusalem, not long ago (the settler threw a stun grenade at him). He makes light of his wound. Muhammad told us about him, with admiration and wonder, last time I was in Ras al-‘Ain. He is my partner today for the night-and-early-morning shift.
By 5 PM we’ re at the water. Long-Hair, the all-too-familiar settler adolescent, is there with his herd, as usual, on Musa’s land. Usually he’s dour, sour, and obnoxious; this time he seems a little curious about Amir and me. Amir—he’s a psychotherapist– wants to talk to him. The conversation, if you can call it that, goes like this:
Moments of respite. Seven, maybe eight water tankers manage to fill up at the ‘Auja stream toward sunset. We are there to greet them. For once, no settlers come to ruin things.
It’s hot in Ras al-‘Ain, in more ways than one. It’s become a flash point. The settlers are fully focused on driving the shepherd families of this village out of their homes and fields. And it’s high summer. Nights are stifling in the tent where we sleep, though the flaps are open to the stars and the distant lights across the river, in Jordan. At 4 AM there’s a cool breeze, a tease; as soon as the sun rises, at around 6, the temperature hits 40 degrees Centigrade; by mid-morning, it’s somewhere between 45 and 50. Sometimes a strong wind blows boiling dust over everything and everyone—our tent, the sheep in their pens, the few vehicles parked on the gravel paths, the shacks of tin or asbestos, the scraggly trees. At first you don’t notice how thirsty you are. Then it hits you and won’t go away, no matter how much you drink. I feel the thirst, first, in my eyes, every minute (even drier than usual). And then there’s the other kind of thirst, in the heart.
Festive days in Palestine: ‘Id al-Adha, a time for families, feasts, picnics, prayers. The call to prayer, the azan, ends with a solemn, loving formula proper to these days: labbaykaallahumma, “We are yours to serve, Lord. There is no other.” At Ras al-‘Ain, toward evening: dozens of cars, young men splashing in the fresh, cold stream, small circles smoking narghilehs in the shade, picnics; and the tankers from the village filling up with water.
View from Magha’ir ad-Dir, 2024. photograph: Margaret Olin
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April, 2024. photograph: David Shulman
Eighteen families live in Magha’ir ad-Dir, high in the hill country overlooking the Jordan Valley. It’s a rocky, dusty place. One could easily die of thirst. The village survives with water drawn every morning from a pumping station belonging to Mekorot, the Israeli water company; the villagers pay for the water. All that is fine. But there is a problem. Israeli settlers from the illegal outposts nearby often come to attack them at dawn beside the pump. There have been several recent attacks, including shooting live fire. So now every morning we are here beside them as they fill the tankers.
Goat in front of military installation, Al-Hadidiya, Jordan Valley, 2019. Back cover of a Passover Haggadah, 5779.
Before Pesach most years, I revise the Haggadah I began to compile decades ago. I gather material from traditional sources as well as from more recent alternative Haggadot created with various agendas in mind – political, ecological; or from commentary, unrelated literature, and remarks of friends and colleagues relevant to our family or to whomever we might be hosting at our seder table that year. I insert images that I find or create. Some years ago, I placed on the back cover of my Haggadah a photograph of a goat I met in the Jordan Valley, to recall the traditional song Had Gadya, an only kid, sung toward the end of the seder. It begins with the verse “an only ,kid, an only kid, my father bought for two zuzzim, and continues with a litany of woe, as the goat is eaten by a cat, that is then bitten by a dog, and, after a series of beatings and burnings and slaughter by various agents, including objects and living creatures animal and human, the song ends with retribution by the angel of death, who in turn succumbs to the Holy One, blessed be He, thus ending the carnage on a peaceful note, none of the predators left standing, like the end of a bloody Elizabethan play.
It seems quiet and peaceful. We are with Jibrin, planting a small crop of tobacco, which he sells, and I suppose, smokes. Since my last visit, his wife Wadha has had an operation on her back and I am happy to see her bending down to plant in the straight furrows he plows in the tiny field.
Toward sunset we arrive, Yigal, Koby, and I. It’s my first time in Wadi Jḥeish (probably “Valley of the Mules”): a tiny hamlet of some 60 souls, all part of the large Nawaja‘ family that we know from nearby Susiya. Houses of cement blocks and stucco with flat roofs of aluminum and plastic. A trellis of dry grapevines. Potted plants and small garden plots of desert flowers. Rock underfoot. Two tall water tanks behind the houses, higher up the hill. A sheep pen. A few trees, including a small olive grove. Many children. From every spot you stand or sit, a wide-open stretch of the brown, stone-ripe hills. They’ve never been more ravishing. The village has changed since Peg saw it in 2018, when it was mostly tents; it’s more solid now, but no less vulnerable. Someone has drawn and painted red and white hearts, lots of them, on both sides of the door to the kitchen and sitting room, where we are to sleep. There’s also an inscription: baytkum ‘āmir bi’l-afrāḥ, May your house be filled with celebrations.
