I am trying to make the best out of an unwelcome break from the Palestinian territories with a few modest digressions. This one, from January, 2017, could also have been titled “the lonely demonstration.” I prepared it in a more innocent time, but never posted it until a thread on crowd photography, on the FlakPhoto Network, inspired me to take it out of mothballs. The third to last image is the cover of a book due out next week, Photography and Imagination, which I co-edited with Amos Morris-Reich.
December 12: “If a tree falls in the forest . . . “
There is barely a single tree here, but nearly everyone today voiced some version of the famous philosophical puzzle about the observer and existence. Or coexistence.Continue reading
Today the shepherds wanted to set out at dawn. In summer, here on the outskirts of Jericho, by 9 or 9:30 in the morning it’s already over 38 degrees (100 Fahrenheit)—too hot even for goats. So we leave Jerusalem at first light, and by 6:30 we find Mhammad deep in the desert, close to the fenced-off date-palm grove of the settler Omer, who calls all the shots. Mhammad greets us happily; he’s in a good mood; so far things are quiet. “Soldiers? Have you seen any soldiers?” he asks. “Not yet,” we say. Continue reading
1. Umm al-Amad
Three weeks ago, resourceful little Walaa was quick-witted enough to use her cell phone to film settlers flying a drone and when the settlers suspected her, to pretend convincingly to be on a call with her aunt. A week later, she leaned against Aziza’s legs, drooping and coughing. Continue reading
She looks like a young girl from a distance, her uncovered braid floating back and forth as she sweeps, hoists broken doors, and repeatedly crosses the wide expanse with a bucket to fetch water from a cistern. But when she pauses in her chores to interact briskly and anxiously with the men and boys, I see that her face is old. I wish I could show this narrow, taut face and its look of experience and concern, but photographs of girls and all but the oldest women are banned. Yet I know I am looking at the worry of a grown woman, of a mother for her children; it is not the face of a frightened child. In spite of the uncovered hair I still wonder if somehow I could be seeing the face of a woman who failed to grow. She is off again, so I settle on the expression “diminutive person” for now. Continue reading
Gavriel is the one running, the one with the flowing hair. He looks like he might be at home in a coffee shop with a guitar on his knee, passing a joint. I remember Gavriels like him from my adolescence, non-violent activists who sang of peace. As we shall see, I believe even this Gavriel may see himself as a messenger of peace.
Apologies: The remainder of this post is temporarily removed. I hope to republish it soon.
The hardest part was not the settlers’ attack but sitting in the home of Abu Saddam in Susya. His home—four canvas-roofed tents, an outhouse, a water tank, and a perennial lemon tree—is one of the seven scheduled for immediate demolition, with the blessing of the Supreme Court. The others belong to the Nawaja families. First in line, in the center of the village, is the compound of ‘Azzam Yusuf Jad‘a Nawaja. Almond trees are in full bloom in Susya, intermittent bursts of white amidst thin traces of green and great splashes of brown. They’re waiting for the bulldozers to arrive. It could happen any time. Continue reading
text David Shulman; photographs Margaret Olin
Asael, possibly the ugliest of all the illegal outposts in the southern West Bank—and the competition is fierce—is rapidly expanding. Yellow bulldozers, parked at the perimeter fence of the settlement, have carved out a huge swathe of intermeshed, criss-crossing gashes in the hill and valley just below. This wide, deep wound in the soil has been sliced, needless to say, through privately owned Palestinian land. We know the families. We’ve plowed here, on the edge of the outpost. There have been many bad moments with the Asael settlers, the ones we can see this Shabbat morning walking their dogs over the hill or praying to their rapacious god or swinging their children on the swings in the painted park just under their pre-fab caravans. Continue reading
A few days ago the New York Times published an article about the German pavilion at the Venice Architectural Biennale. This year the theme was Germany’s open borders; its heartfelt welcome to refugees; and consequent social changes. You may read it here. The exhibition represents open borders by cutting openings into its building. The pavilion’s website provides access to a database of projects for housing the new refugees who are pouring into the country in record numbers. Yet the reviewer notices that “Absent from the database are the voices of refugees or meaningful consideration of what it feels like to live in these spaces, something the curators acknowledge, but attribute partly to the fast-changing situation on the ground.” Continue reading